#and it just reminds me of better days :(

[xxplastic-cubexx]

personal happiness or what the fuck ever

bonus:

[crnl-chicken-tots]

Push and pull, yeah that's our arrangement

[royalarchivist]

Pac: [Reading the character's bio] "Born in Brazil, his specialty is parkour. With his incredible physical abilities and quick judgement, he flies through the city as easily as a bird. He was arrested but escaped several times, becoming a celebrity in the prison industry. He loves danger and the thrill of it all. He has a direct and friendly personality, but is also somewhat lonely."

Pac: It's me! It's me, that's me! Does he have a friend like Mike? Does he have a friend? Will there be a Mike there?

Fuga Impossivel is finally getting an anime adaptation! /j

[kit-screams-into-the-future]

oh, how you drive me crazy!!

[oceanbluuu]

No longer just a young master,

No longer just jiujiu’s a-ling

[ra-vio]

this blog is 11 years old now 🎉

I drew the siblings ever to celebrate as usual

[vaszametili]

damn why is no one talking about the fact that the new emotes from technocyte coda on the operator/drifter have facial animations!!!!!! FINALLY they're not dancing with thousand yard stare

[xxplastic-cubexx]

i’m so glad you brought up that bit in excalibur where magneto’s ideal prison is him getting to be a husband and father again, because it’s so relevant to the idea that the house of m reality isn’t actually everyone’s ideal life, but just wanda’s idea of what everyone’s ideal life would be. all the time i see x-fans condemn magneto for house of m because his ideal world is him becoming exactly like his oppressors, but house of m isn’t actually the life magnus wants! any time magnus gets to become a political leader, he hates it. he hated ruling genosha. he hated ruling krakoa. deep down, he doesn’t want to be superior. he just wants to live in peace with the family he lost.

also, shoutout to magda and anya, who never get to be anything other than magneto’s women in refrigerators. i wish they got to be more important than that. i love it every time we see them in comics, but it’s so rare. and shoutout to magda in particular since she’s been almost completely erased from the narrative by the maximoff retcon. really hope we get a reveal that natalya maximoff was magda all along when we inevitably make wanda and pietro magneto’s mutant children again.

i honestly didnt know excalibur was a predecessor to HoM when i heard about both runs so when i saw that set of panels for the first time it really had me reconsider HoM and the 'ideal reality' bit, im surprised i dont see it mentioned more often

i really wish there were more appearances of mags, magda, and anya; if there are stories focused on them i barely see them talked about... ive heard magda is mags' best-written partner from some but i also very rarely see stories that feature her directly named, so i never get to see her beyond the few fleeting instances i just so happen to catch her. id very much like to see more of her and mags' domestic life....

i think if we find out that natalya was magda all along i'll howl: this family really Can get more complicated contrary to popular belief 💀

[wundrousarts]

I discovered these paintings by James McNeill Whistler recently, Nocturne in Black and Gold: Falling Rocket (top) and Nocturne in Black and Gold: The Firewheel (bottom). I’m sharing them because they make me think of Nevermoor, as so many things do.

With paintings, a nocturne refers to the depiction of night. This is derived from the musical term, where a nocturne refers to a musical piece that is “inspired by, or evocative of, the night.” These both just come from the fact that “nocturne” essentially means “of the night”.

On a basic level, this just reminds me of Nevermoor by the aesthetics. The dreamy nighttime setting strikes me the most, but also the sparks of yellow fire that make me think of Wunder. Think of how many important scenes happen at night- Morrigan on Eventide, the Museum of Stolen Moments, and the Hollowpox in Courage Square. But the concept has me thinking, obviously, about the Wundrous Art of Nocturne. The only songs we know are Morrigan and Squall’s, who both chose nursery rhymes as their Nocture. Their choices make me think of lullabies, sung at night… and there’s lots to think about with that.

[runefactorynonsense]

Melotober - Day 19 - Nostalgia

What a difference a year can make!

[pleasedontcareaboutme]

It's missing my father hours rn so imma just dump a bunch of pictures here and cry

( sorry i don't know the source of anything I just had them on my phone)

(also dont read the tags i just need to let it out lol)

[lemonynuggets]

does anyone wanna give me the love and affection I didn’t get as a child

[raayllum]

You think I've done awful things, and I have. But I'm not evil. It's me. You know me. I'm still the same person.

I actually think these lines / scene from Claudia is one of her most interesting in the entire show, so let's talk about it, beat by beat.

You think I've done some awful things, and I have.

This line, along with others from Viren (his "I had to" is another form of justification, and what's to justify if you done nothing 'wrong' or nothing to be blamed for?), i.e. "In the name of love, you will perform acts so unforgivable, you will never forgive yourself" as well as Claudia's explanation in 4x01 ("I had to do things... I never imagined I would be able to do" with tears in her eyes) and Terry's assertion ("I've seen you do a lot of awful things, dark magic things") is like... while Claudia still doesn't see the error, I'm willing to bet, with the bulk of her actions (elves and dragons are still clearly not wholly people to her), she's still done things that she considers awful. Things that crossed her previous moral lines, beginning, I'd bet, with the deer in 2x09, and that which only escalated from there.

Claudia still thinks she's a good person (which we will get to in a second, believe me) but she doesn't think she's squeaky clean. She knows, just as Viren knows (and just as Callum knows/believes) that she's done genuinely awful, terrible things.

A character feeling bad about doing something, or a character recognizing that something they've done is terrible ("It's horrific, Viren" "We have no other choice"), is not a get off scot free card in this show, and it never has been. Not for Claudia, and not for anyone else.

While Claudia has been manipulated by Aaravos, everything she's done is of her free will, and without lying to herself about the exact nature of them (even if there's still plenty she's in denial of like the plague, but I digress).

Claudia is like 5 different cognitive dissonances in a trenchcoat, but she's not stupid, either.

But I'm not evil. It's me.

This to me shows the mask slipping the post, because if there wasn't even a hint of possibility at being evil, you would feel no need to declare otherwise. I forget where I've said this before but Claudia cares (esp in arc 1, less so in arc 2 but it's not nonexistent) about being a good person. It's kinda like how Viren doesn't really care if he's good or not, but he wants to be important (matter). Bonus points for Claudia's hypocrisy/shields being worn down over time ("She kidnapped you and Prince Ezran, how can she be good?" -> attempting to do the exact same thing an episode later). She's cracking, but desperately trying to convince them (for mostly manipulation reasons) and herself (genuinely) that she's not, that instead...

You know me. I'm still the same person. I am.

TDP has always been very interested in identity, most notably for characters like Callum, Rayla, and Soren in arc 1, but it's fun to see it be expanded and interrogated further by looping Claudia in during arc 2. S5 and arc 2 places a lot of emphasis in particular on the idea of knowing yourself ("That's not my name. I am Elmer") or knowing others ("She's not the elf, she's Rayla") / preserving your sense of self in the face of change or hard circumstances ("But violence tests us" "Callum, you're the 'destiny is a book you write yourself' guy").

Claudia highlights this twofold. She asks the boys to know her, despite how much time and bad blood has gone by. She appeals to the many years of friendship they had in contrast to their few months turned years of being foes. It's barking up the wrong tree (Callum's Spellbook asserts that even as of s2/s3, "I feel like I don't know who she is anymore" on his end) but I am actually inclined to believe her.

This may be a misread, simply because from S1 but especially S2 onwards I always figured Claudia would end up precisely where she is now, so I don't know if it's the consistency influencing my judgement call possibly clouding more intense changes (she refused to use Harrow against the boys in 2x02, to a degree) but... I don't think almost anything Claudia does in S5 is something she wouldn't have done the bulk of in S1, other than threatening the boys, and she's done that multiple times by the time the end of S2 and S3 rolls around, most notably towards Ezran.

She's still the same person, but her circumstances and therefore her responses have gotten steadily, consistently worse. But this has always lived inside her. She's the same person (but worse), they know her and see her more clearly than they ever did before, and both of those things are precisely the problem.

[gwenboucharddidnothingwrong]

rushed nimona watercolour to celebrate the oscar nomination

[xxplastic-cubexx]

I LOVE your art first of all gahh!!

And i love the way you draw Charles like, did you just make this bald old man incredibly attractive????

thank you so much !! with that i always say I Draw What I See ... charles xavier already attractive nuff said tyvm i didnt do anythin extra.....

[clownhonkbonk]

slams head against wall.

i. will. not. fall. for. drawing. them. as. posts.

yeah that went well.

CHARACTERS BELONG 2 @apleye from their delightful comic

bonus i was gonna finish but hand hurt :^))